September 21, 2002

Book Review - Gay Marriage : Why It Is Good for Gays, Good for Straights, and Good for America

Marriage, when it's right (and usually when it's wrong), is a subject that stirs strong feelings. Gay marriage inspires its own set of passions, with opponents decrying it as a step that will undermine the very fabric of society while supporters posit it as an inevitable next stage in step-by-step acceptance of homosexuality by mainstream America. Appearing as the issue heats ups following President George W. Bush's call for a constitutional amendment that would block the gathering tide of gay nuptials, this polemic by Atlantic Monthly/National Journal writer Jonathan Rauch deftly walks a fine line, both personalizing the subject (Rauch is a gay man with a longtime lover and a lifelong wistful attitude about marriage) and addressing it with an intellectual poise informed by historical and philosophical perspectives. Rauch actually supports the steady-as-she-goes, state-by-state advancement of gay marriage, believing that "same sex marriage will work best when people accept and understand it, whereas a sudden national enactment, where it suddenly to happen, might spark a culture war on the order of the abortion battle." Might? It says a lot about Rauch's temperance that he doesn't forecast an inevitably fractious future for the nation while it sorts through the implications of gay weddings. There are more impassioned perspectives on the issue, but Rauch's positive approach advances the issue with a welcome coolheadedness that actually suits the controversy. This is, after all, a fight over the right of traditional outsiders to engage in an inherently conservative institution. --Steven Stolder

September 19, 2002

Book Review - No Future: Queer Theory And The Death Drive (Queer Theory/Cultural Studies)

In this searing polemic, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His main target is the all-pervasive figure of the child, which he reads as the linchpin of our universal politics of "reproductive futurism." Edelman argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. He boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order. In No Future, Edelman urges queers to abandon the stance of accommodation and accede to their status as figures for the force of a negativity that he links with irony, jouissance, and, ultimately, the death drive itself.

Closely engaging with literary texts, Edelman makes a compelling case for imagining Scrooge without Tiny Tim and Silas Marner without little Eppie. Looking to Alfred Hitchcock’s films, he embraces two of the director’s most notorious creations: the sadistic Leonard of North by Northwest, who steps on the hand that holds the couple precariously above the abyss, and the terrifying title figures of The Birds, with their predilection for children. Edelman enlarges the reach of contemporary psychoanalytic theory as he brings it to bear not only on works of literature and film but also on such current political flashpoints as gay marriage and gay parenting. Throwing down the theoretical gauntlet, No Future reimagines queerness with a passion certain to spark an equally impassioned debate among its readers.

September 17, 2002

The Tears of Eros

Tears of Eros is the culmination of Georges Bataille's inquiries into the relationship between violence and the sacred. Taking up such figures as Giles de Rais, Erzebet Bathory, the Marquis de Sade, El Greco, Gustave Moreau, Andre Breton, Voodoo practitioners, and Chinese torture victims, Bataille reveals their common obsession: death.

This essay, illustrated with artwork from every era, was developed out of ideas explored in Erotism: Death and Sexuality and Prehistoric Painting: Lascaux or the Birth of Art. In it Bataille examines death-the ""little death"" that follows sexual climax, the proximate death in sadomasochistic practices, and death as part of religious ritual and sacrifice.

Georges Bataille was born in Billom, France, in 1897. He was a librarian by profession. Also a philosopher, novelist, and critic he was founder of the College of Sociology. In 1959, Bataille began Tears of Eros, and it was completed in 1961, his final work. Bataille died in 1962.

September 15, 2002

Book Review - A Critical Introduction to Queer Theory

A Critical Introduction to Queer Theory explores the ways in which sexuality, subjectivity and sociality have been discursively produced in various historical and cultural contexts.

The book begins by putting gay and lesbian sexuality and politics in historical context and demonstrates how and why queer theory emerged in the West in the late twentieth century. Sullivan goes on to provide a detailed overview of the complex ways in which queer theory has been employed, covering a diversity of key topics including: race, sadomasochism, straight sex, fetishism, community, popular culture, transgender, and performativity. Each chapter focuses on a distinct issue or topic, provides a critical analysis of the specific ways in which it has been responded to by critics (including Freud, Foucault, Derrida, Judith Butler, Jean-Luc Nancy, Adrienne Rich and Laura Mulvey), introduces key terms, and uses contemporary cinematic texts as examples.